Attacking the Camp at Gatan Ola - Giuseppe Castiglione
Archival giclée
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Description
A detailed copperplate engraving by Giuseppe Castiglione depicting the 1755 military victory at Gatan Ola during the Qing Dynasty.
This copperplate engraving depicts the military campaign of the Qianlong Emperor against the Dzungar Khanate. Giuseppe Castiglione, an Italian Jesuit missionary who served as a court painter in Beijing, provided the original design for this series. The work documents the 1755 victory at Gatan Ola, illustrating the Qing forces as they engage the enemy camp. The composition employs European linear perspective, a technique Castiglione introduced to the Qing court, to create a sense of depth across the rugged terrain.
In the foreground, mounted soldiers engage in combat, while the middle ground reveals the sprawling encampment of tents. The background features craggy mountains rendered with fine, precise lines that suggest the influence of both Western etching traditions and traditional Chinese ink wash techniques. The upper left section contains a calligraphic inscription, which provides the historical context and the Emperor's own poetic reflections on the event. This series was commissioned by the Qianlong Emperor to commemorate his military successes and was produced in Paris under the supervision of Charles-Nicolas Cochin, using the finest copperplate techniques available at the time.
The print demonstrates the synthesis of European artistic training and Chinese subject matter. The attention to detail in the weaponry, horse tack, and topographical features provides a record of eighteenth-century military life. The monochromatic palette focuses the viewer on the narrative action and the spatial arrangement of the scene, rather than colouristic effects. This work remains a primary source for understanding the cultural exchange between the Qing court and European artists during the eighteenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Attacking the Camp at Gatan Ola - Giuseppe Castiglione
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