A fine 1779 mezzotint engraving by Richard Earlom, depicting the biblical scene of Bathsheba presenting Abishag to King David.

This mezzotint by Richard Earlom, published in 1779, reproduces a painting by Adriaen van der Werff. The scene depicts a biblical narrative from the First Book of Kings, where Bathsheba presents the young Abishag to the elderly King David. Earlom, a master of the mezzotint technique, employs a wide range of tonal values to translate the smooth, porcelain-like textures of the original oil painting into print. The dramatic use of light and shadow creates a sense of depth within the chamber, drawing the eye to the central figures.

David is shown reclining, his aged form contrasted against the youthful, vulnerable figure of Abishag. Bathsheba stands behind, acting as the intermediary in this orchestrated encounter. The composition is structured around the interplay of these three figures, set against a backdrop of heavy drapery and architectural elements that suggest a royal interior. The print was produced for the Houghton Gallery project, an ambitious undertaking by John Boydell to document the collection of Sir Robert Walpole.

Earlom's technical precision is evident in the subtle transitions between the deep blacks of the shadows and the soft highlights on the skin of the figures. The work demonstrates the high level of skill required for eighteenth-century reproductive printmaking, where the engraver had to interpret the colour and brushwork of a painter through the monochromatic medium of the copper plate. This print offers a clear view into the aesthetic preferences of the period, favouring polished surfaces and theatrical, staged compositions. It remains a fine example of the collaborative nature of the print trade in London during the late eighteenth century, bridging the gap between private collections and the wider public audience.