A delicate watercolour by Albert Anker depicting a Swiss peasant woman at her spinning wheel, captured in 1910.

Albert Anker, often referred to as the national painter of Switzerland, produced this watercolour in the final year of his life. The work depicts a woman engaged in the traditional task of spinning, a subject that appears frequently throughout his career. Anker maintained a consistent focus on the daily lives of rural Swiss communities, documenting domestic labour with a quiet, observational approach.

The composition is spare, focusing entirely on the figure and her equipment. The woman is shown in profile, her posture concentrated as she works the fibres. Anker uses a muted palette, relying on earthy tones for the clothing and the wooden spinning wheel. The striped apron and the dark shawl provide subtle texture, while the background remains neutral, ensuring the viewer's attention stays on the mechanical action of the spinning process. The lines are precise, reflecting his training and his ability to capture the physical reality of his subjects without unnecessary embellishment.

This piece demonstrates Anker's technical proficiency with watercolour, a medium he utilised to capture the soft light and textures of interior scenes. Unlike his larger oil paintings, this work possesses an immediacy and a sense of personal study. It serves as a record of a vanishing way of life in the Bernese Oberland, where such manual crafts were essential to the household economy. The artist's signature and date, located in the lower left corner, confirm this as one of his final completed works. It remains a clear example of his dedication to representing the dignity of ordinary labour through a disciplined, realist lens.