Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Blue Agreement - Yves Klein
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A striking monochromatic work by Yves Klein, featuring his signature International Klein Blue pigment applied to natural sponges on canvas.
Yves Klein, a central figure in the post-war European avant-garde, developed a specific obsession with the colour blue. In 1957, he registered his own unique shade, International Klein Blue (IKB), which is characterised by its high concentration of ultramarine pigment suspended in a synthetic resin binder. This specific formulation allows the colour to retain its intensity and matte finish, avoiding the dulling effect often associated with traditional oil binders.
Blue Agreement (Accord Bleu) is a physical manifestation of Klein's desire to immerse the viewer in pure sensation. The work incorporates natural sea sponges, which are saturated with the IKB pigment and attached to a canvas surface. The sponges create a textured, three-dimensional topography that interacts with light to cast subtle shadows across the monochromatic field. By using sponges, Klein introduced an organic element to his work, allowing the material to absorb the pigment and become a vessel for the colour itself.
Klein viewed his monochromatic works as open windows to the infinite. He sought to move beyond the constraints of traditional representation, focusing instead on the metaphysical qualities of space and colour. The sponges in this piece act as physical anchors, drawing the eye across the surface while the uniform blue tone works to dissolve the boundaries of the frame. This approach reflects his interest in the immaterial and his belief that colour is a medium capable of communicating directly with the human spirit. The resulting object is less a painting in the conventional sense and more an environment of pure, saturated hue. It invites a meditative observation, where the viewer is encouraged to experience the physical presence of the pigment as a tangible, atmospheric force.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Blue Agreement - Yves Klein
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Yves Klein
Klein patented a colour. International Klein Blue, or IKB, is an ultramarine pigment suspended in a synthetic resin that keeps the colour saturated and matte. He registered it in 1960. The blue is so intense it appears to absorb light. He covered canvases, sponges, plaster casts, and globe sculptures in it. He covered naked women in it and pressed them against canvas (he called them 'Anthropometries' and performed the process in front of an audience while a chamber orchestra played his Monotone-Silence Symphony: twenty minutes of a single sustained chord followed by twenty minutes of silence).
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
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Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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