Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Bracket - Joan Mitchell
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
Bracket is an abstract expressionist oil painting by Joan Mitchell, known for her gestural brushstrokes and use of colour. This triptych features a dynamic composition of layered blues, greens, browns, and yellows.
Joan Mitchell (1925-1992) was an American abstract expressionist painter and printmaker. She was a member of the second generation of American abstract expressionists. Her canvases are known for their gestural brushstrokes and use of colour. Mitchell's work often evokes feelings and memories related to nature and the environment. Although she resisted direct interpretation, her paintings are often seen as emotional responses to the world around her. She spent much of her career in France. There, she developed a distinctive style that blended American abstract expressionism with European influences. Bracket is a triptych, a painting composed of three sections. The work features a dynamic composition of layered brushstrokes and drips. The colours are predominantly blues, greens, browns, and yellows, set against a white background. The brushwork is loose and energetic, creating a sense of movement and spontaneity. The overall effect is one of controlled chaos, with the colours and forms interacting to create a visually stimulating experience. The painting's scale and format invite the viewer to engage with the work on a physical level, immersing themselves in the artist's expressive gestures.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Bracket - Joan Mitchell
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Joan Mitchell
Mitchell painted large, aggressive, beautiful abstract canvases that looked nothing like what a woman painter was supposed to produce in the 1950s. The brushwork is violent. The colours are intense. The scale is monumental. She was an Abstract Expressionist in a movement that did not welcome women, and she responded by painting bigger, harder, and with more conviction than most of her male contemporaries.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Artist Biography
Joan Mitchell
Mitchell painted large, aggressive, beautiful abstract canvases that looked nothing like what a woman painter was supposed to produce in the 1950s. The brushwork is violent. The colours are intense. The scale is monumental. She was an Abstract Expressionist in a movement that did not welcome women, and she responded by painting bigger, harder, and with more conviction than most of her male contemporaries.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
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