Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.




Émile Bernard's "Breton Women in the Meadow" captures a scene of rural life in Brittany with simplified forms, bold outlines, and a bright palette, reflecting the artist's Cloisonnist style and the influence of Paul Gauguin.
Émile Bernard's 1888 oil on canvas, "Breton Women in the Meadow", presents a scene of rural life in Brittany, France. Bernard, a French Post-Impressionist painter, developed a style known as Cloisonnism, characterised by bold forms separated by dark outlines, similar to medieval cloisonné enamel work. This approach moved away from the naturalism of Impressionism, towards a more symbolic and expressive mode. The painting depicts a group of Breton women in traditional dress, set against a flat, bright green meadow. The figures are simplified, with strong outlines and minimal shading. The composition is deliberately flattened, reducing the sense of depth and perspective. The colour palette is bright, with a focus on greens, blues, and blacks. The women are shown engaged in various activities, some standing, some seated, and some interacting with each other. A small dog is included in the scene, adding a touch of domesticity. Bernard's work from this period shows the influence of Paul Gauguin, with whom he worked closely in Brittany. The painting reflects a broader interest in representing rural life and traditions, moving away from urban subjects. The simplified forms and bold colours contribute to the painting's overall decorative quality.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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inventing cloisonnism at twenty, sharing it with Gauguin, watching Gauguin take the credit, and spending decades arguing about who invented Symbolism
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