Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.




A Post-Impressionist painting by Émile Bernard, 'Breton Women with Parasols' features simplified forms, bold colours, and flattened perspective to depict Breton women in a rural setting.
Émile Bernard (1868-1941) was a French Post-Impressionist painter and writer, known for his association with artists like Paul Gauguin and Vincent van Gogh. He was a key figure in the development of Cloisonnism and Synthetism, styles that moved away from Impressionism's emphasis on optical realism. Bernard sought to express subjective emotions and spiritual ideas through simplified forms, bold colours, and symbolic content. 'Breton Women with Parasols' exemplifies Bernard's Post-Impressionist style. The painting depicts a group of Breton women, likely in a rural setting, rendered with simplified forms and flattened perspective. The figures are defined by strong outlines and filled with areas of relatively uniform colour, a characteristic of Cloisonnism. The palette consists of blues, yellows, greens, and reds, applied in a manner that departs from naturalistic representation. The composition is carefully arranged, with the women positioned in a way that creates a sense of rhythm and balance. The parasols add a decorative element, while also suggesting a moment of leisure or contemplation. The overall effect is one of stylisation and emotional expression, rather than a literal depiction of reality.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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inventing cloisonnism at twenty, sharing it with Gauguin, watching Gauguin take the credit, and spending decades arguing about who invented Symbolism
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