Cadaqués, seen from behind - Salvador Dalí
Archival giclée
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Description
An early 1921 oil painting by Salvador Dalí, capturing the coastal town of Cadaqués through a Post-Impressionist lens.
This early work by Salvador Dalí captures the coastal town of Cadaqués, a location that remained central to the artist throughout his career. Painted in 1921, when Dalí was only seventeen years old, the composition reflects his initial engagement with the techniques of Post-Impressionism and Divisionism. The scene is viewed from an elevated position, looking down upon the structured rows of the foreground and across to the cluster of buildings that form the town centre. The application of paint is deliberate and textured, with short, rhythmic brushstrokes that build the form of the architecture and the surrounding terrain. Dalí employs a warm, earthy palette, dominated by ochres, deep reds, and muted greens, which suggests the heat of the Mediterranean sun. The church tower rises above the surrounding dwellings, providing a vertical anchor for the composition. The foreground is defined by dark, shadowed foliage and geometric patterns of the earth, which contrast with the lighter, more atmospheric treatment of the sky and the distant sea. Unlike the later Surrealist works for which the artist is widely known, this painting demonstrates a focus on observation and the translation of light onto canvas. It provides a clear view into the formative years of his practice, showing his early interest in the specific geography of the Catalan coast. The work is less concerned with the subconscious and more focused on the physical reality of the environment. The perspective is carefully constructed, leading the eye from the immediate foreground into the town, creating a sense of depth that is balanced by the decorative quality of the brushwork. This piece serves as a record of the artist's early technical development before his transition into the dream-like imagery of his mature period.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Cadaqués, seen from behind - Salvador Dalí
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Salvador Dalí
He entered the Royal Academy of Fine Arts in Madrid at seventeen and was expelled twice. The first time for inciting a student riot. The second time, in 1926, for announcing that none of the faculty were competent to examine him. While in Madrid he read Freud's The Interpretation of Dreams and later called it one of the most important discoveries of his life. He began inducing hallucinatory states through a method he called 'paranoiac-critical': staring at objects until they transformed into something else, then painting what he saw.
The Persistence of Memory, the one with the melting clocks, was painted in 1931. He was twenty-seven. The clocks were not, as commonly assumed, a reference to Einstein. Dali said they were inspired by Camembert cheese melting in the sun. He joined the Surrealists in Paris but was eventually expelled by Andre Breton (Dali attracted expulsions) for political ambiguity and, more practically, for being impossible to control.
Gala Eluard became his wife, manager, muse, and business partner. She had previously been married to the poet Paul Eluard, and her departure for Dali divided the Surrealist circle. Together they built a career that crossed painting, film (Un Chien Andalou with Bunuel), fashion (the lobster telephone, Mae West's lips sofa), advertising, and later the Chupa Chups lollipop logo. He designed the Dali Theatre-Museum in Figueres on the ruins of the town theatre that had been destroyed in the Civil War. He is buried there, beneath the stage.
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