A detailed 18th-century engraving depicting a cavalry unit resting at a sutler's tent, based on a composition by Philips Wouwerman.

This print, titled Cavalerie bij de marketenster, is an etching and engraving produced under the direction of the French master Jacques-Philippe Le Bas. The composition is based on an original painting by Philips Wouwerman, a Dutch Golden Age artist known for his depictions of horses and military life. The scene captures a moment of respite for a cavalry unit at a sutler's tent, a common subject in seventeenth-century Dutch genre painting that Le Bas helped popularise among eighteenth-century French collectors.

The visual narrative focuses on the interaction between soldiers and the camp follower, or sutler, who provides provisions. Several figures are mounted on horseback, while others rest on the ground, creating a sense of informal activity. The tents and flags establish the military context, yet the mood remains domestic and relaxed. Le Bas employs a sophisticated range of line weights and cross-hatching techniques to render the textures of the horses, the fabric of the tents, and the atmospheric quality of the sky. The inclusion of the coat of arms and the inscription at the bottom indicates that this print was part of a larger collection, likely the Cabinet de Monsieur Le Brun, which was a common practice for disseminating high-status art to a wider audience during the period.

Technically, the work demonstrates the precision of the French school of engraving. The balance between the foreground figures and the open space of the camp allows for a clear reading of the narrative. The attention to detail, from the posture of the horses to the small items scattered on the ground, reflects the meticulous approach of the engraver. This print offers a window into the eighteenth-century appreciation for Dutch genre scenes, translated through the refined aesthetic sensibilities of the French Rococo era.