A formal portrait of Charles James Stewart, Bishop of Quebec, by the British painter John Jackson, capturing the subject in traditional clerical attire.

This portrait by John Jackson depicts Charles James Stewart, who served as the Anglican Bishop of Quebec. Jackson, a member of the Royal Academy, gained recognition during the early nineteenth century for his ability to capture the likeness and character of his sitters. His approach to portraiture often involved a restrained palette and a focus on the formal attire of his subjects, which is evident in the voluminous lawn sleeves and black chimere worn by the Bishop.

The composition places Stewart in a seated position, his gaze directed away from the viewer towards an open book. This arrangement suggests a moment of scholarly reflection or theological study. To the left, a window provides a view of a church building, which serves to identify the subject's ecclesiastical role and his connection to the diocese of Quebec. The heavy red drapery behind the figure adds a sense of traditional authority, a common device in formal portraiture of the period.

Jackson employs a balanced use of light to model the features of the face and the folds of the clerical garments. The contrast between the dark tones of the vestments and the lighter, more translucent quality of the sleeves demonstrates his technical skill with oil paint. The work reflects the conventions of British portraiture in the 1820s, where the status of the individual is communicated through specific symbols of office and a composed, dignified posture. This print captures the texture of the original brushwork, allowing for a clear view of the artist's handling of fabric and architectural detail. It is a representative example of the formal portrait style that defined the era, documenting the appearance of a figure involved in the administration of the church in North America during the colonial period.