A formal seventeenth-century engraving by Gérard Edelinck depicting Charles Maurice Le Tellier, Archbishop of Reims, rendered with technical precision.

This engraving by Gérard Edelinck depicts Charles Maurice Le Tellier, the Archbishop and Duke of Reims, in a formal seated pose. Edelinck, a Flemish engraver who spent much of his career in Paris, was highly regarded for his technical precision and his ability to translate the qualities of oil painting into the medium of copperplate engraving. This work is based on a painting by Pierre Mignard, a contemporary of Edelinck who was a favoured portraitist of the French court.

The composition follows the conventions of seventeenth-century ecclesiastical portraiture. Le Tellier is shown in his clerical vestments, seated in an armchair with a bookshelf visible in the background, which denotes his status as a scholar and bibliophile. The inclusion of the coat of arms at the base of the print serves to identify his noble and religious titles. Edelinck employs a sophisticated system of cross-hatching and varied line weights to render the textures of the velvet chair, the lace cuffs, and the folds of the fabric. The lighting is controlled, drawing attention to the subject's face and the document held in his hand.

Edelinck was instrumental in the development of the French school of engraving during the reign of Louis XIV. His work is characterised by a clarity of form and a disciplined approach to tonal values. This portrait provides a clear example of the formalised visual language used to communicate authority and intellectual standing within the ecclesiastical hierarchy of the period. The print remains a record of both the sitter's public persona and the technical capabilities of the engraver in the late seventeenth century.