A traditional woodblock print by Utagawa Hiroshige II depicting women washing cloth in the Tama River, part of the Six Jewel Rivers series.

This woodblock print by Utagawa Hiroshige II depicts the traditional scene of Chōfu in Musashi Province, a location celebrated in classical Japanese poetry for its association with the bleaching of cloth in the river. The work belongs to the series Six Jewel Rivers in Various Provinces, a subject frequently explored by artists of the Ukiyo-e school to combine geographical interest with cultural history.

The composition features two women standing in the shallow waters of the Tama River. One woman stands upright, while the other leans forward to wash a length of white fabric. Their garments are rendered in muted tones, contrasting with the blue of the water and the pale sky. Behind them, two willow trees frame the scene, their branches drooping towards the water. In the background, the faint outline of a mountain, likely Mount Fuji, emerges through the atmospheric wash. The presence of wooden fences along the riverbank suggests the practical use of the area for textile production, a detail that grounds the poetic subject in the reality of the period.

Utagawa Hiroshige II, a student and successor to the famous Hiroshige, maintains the stylistic conventions of the school, employing clear outlines and a balanced distribution of elements. The print includes calligraphic text in the upper left, which provides context for the location and its literary associations. The red cartouche in the upper right identifies the series title. This print offers a view into the aesthetic preferences of the late Edo period, where the depiction of famous places, or meisho-e, remained a popular genre for both domestic collectors and those interested in the topography of Japan. The work is printed on paper using traditional woodblock techniques, resulting in the characteristic flat colour planes and graphic clarity associated with the medium.