A hand-coloured woodcut by Doen Pietersz. depicting the post-resurrection meeting between Christ and the Virgin Mary, typical of early sixteenth-century Dutch devotional prints.

This hand-coloured woodcut by the Dutch printer and publisher Doen Pietersz. depicts the post-resurrection encounter between Christ and the Virgin Mary. The scene is rendered with the characteristic directness of early sixteenth-century Northern European printmaking. Christ stands to the right, holding a cross-staff, his body marked by the wounds of the crucifixion. He gestures towards his mother, who stands in a posture of quiet reverence. The composition is framed by an architectural element on the left, decorated with classical motifs, which provides a sense of spatial depth despite the two-dimensional nature of the medium.

The application of colour, likely added by hand shortly after the impression was pulled, enhances the narrative clarity of the scene. The palette relies on muted tones of blue, red, and ochre, which were common in devotional books of the period. The lines are firm and descriptive, typical of the woodcut technique where the artist carves away the negative space to leave the image in relief. Small details, such as the tiny cherubic heads at the top of the frame, add a layer of symbolic ornamentation to the work.

Doen Pietersz. was active in Amsterdam during the first half of the sixteenth century, operating a press that produced various religious and secular texts. Prints of this nature were often included in prayer books or devotional manuals, intended for private contemplation. The work reflects the period's interest in humanising religious figures, presenting the interaction as a personal, intimate moment rather than a distant, iconic event. The physical condition of the print, showing signs of its original placement within a bound volume, offers a glimpse into the history of early modern book production and the way such images were consumed by contemporary readers.