A detailed miniature from the 'Très Riches Heures du Duc de Berry', depicting the departure of Christ from the Praetorium in the International Gothic style.

This miniature, attributed to the Limbourg brothers, originates from the 'Très Riches Heures du Duc de Berry'. It depicts the moment Christ departs the Praetorium, surrounded by a dense crowd of soldiers and onlookers. The composition reflects the International Gothic style, characterised by its attention to decorative detail, refined figures, and a clear, bright palette.

The architecture in the background displays a blend of contemporary European castle features and imagined structures, typical of the period's approach to biblical settings. The figures are rendered with precise brushwork, showcasing the varied textures of their garments, from the metallic sheen of armour to the soft folds of robes. The use of lapis lazuli for the sky provides a striking contrast to the warm tones of the stone buildings and the varied hues of the crowd's attire.

As masters of the miniature form, the Limbourg brothers utilised a high level of technical control to manage the scale of the figures within the architectural frame. The scene is organised to guide the viewer through the narrative, with Christ positioned as the central figure amidst the chaotic movement of the guards. The work demonstrates the high level of craftsmanship commissioned by the nobility of the early fifteenth century, where the book of hours functioned as both a devotional object and a display of wealth and artistic patronage. This print captures the fine details of the original vellum surface, preserving the clarity of the pigments and the precision of the original ink lines.