Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
A serene woodblock print by Utagawa Hiroshige depicting the calm shores of Lake Biwa as the weather clears, featuring soft gradients and rhythmic pine trees.
Clearing Weather at Awazu is a woodblock print from the series Eight Views of Omi, produced by Utagawa Hiroshige during the 1830s. This series draws upon a traditional Chinese theme of eight scenic views, adapted here to the Japanese province of Omi, which surrounds Lake Biwa. The composition captures the serene atmosphere of the shoreline as the weather breaks, revealing the distant mountains under a soft, pale sky.
Hiroshige employs a sophisticated use of bokashi, a technique involving the manual gradation of ink on the woodblock, to create the subtle transition of colour in the sky and the atmospheric haze surrounding the peaks. The foreground features a line of pine trees along the coast, providing a rhythmic visual anchor that guides the eye toward the water. Several sailing vessels are positioned across the lake, their white sails echoing the shapes of the distant mountain slopes. Small figures traverse the path beneath the trees, adding a sense of scale and human presence to the quiet scene.
The print demonstrates the technical precision of the Edo period publishing industry. The registration of the blocks allows for clean lines and distinct colour areas, while the paper texture remains visible in the printed surface. Hiroshige avoids excessive detail, preferring to suggest the mood of the location through simplified forms and a controlled palette. This work reflects the artist's interest in the intersection of travel, geography, and atmospheric conditions, themes that appear throughout his career. The inclusion of calligraphy in the upper right corner provides context for the specific view, adhering to the conventions of the series. As a fine art print, this piece offers a clear example of the aesthetic priorities of nineteenth-century Japanese printmaking, where the balance between natural observation and graphic design remains the primary objective.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
Care & Cleaning
To keep your artwork looking its best:
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like
We use cookies to measure our marketing and see which prints people love.We use cookies to measure our marketing.
By continuing to browse, you agree · Privacy Policy