A portrait of the Seminole leader Co-ee-há-jo, painted by George Catlin in 1838 during his documentation of Indigenous North American cultures.

George Catlin painted this portrait of Co-ee-há-jo, a Seminole leader, during his travels through the American South. Catlin dedicated his career to documenting the lives and appearances of Indigenous peoples across North America, often working in situ to capture his subjects with directness. This portrait displays the artist's characteristic approach to oil painting, focusing on the individual features and specific attire of the sitter.

Co-ee-há-jo is depicted in a three-quarter view, holding a rifle, which was a common element in Catlin's portraits of leaders to signify their status and role. The subject wears a turban-style headpiece adorned with feathers, a garment that reflects the cultural synthesis occurring among the Seminole people during this period. The brushwork is relatively fluid, particularly in the rendering of the fabric and the soft, atmospheric background that isolates the figure from a specific setting. Catlin used a warm, earthy palette to define the skin tones and the textures of the clothing, creating a sense of immediacy.

This work belongs to the extensive collection of portraits Catlin produced for his Indian Gallery, a project intended to preserve the visual record of diverse tribes. While Catlin's work is often viewed through the lens of nineteenth-century ethnographic interest, his portraits remain primary visual documents of the individuals he encountered. The painting provides a clear view of the subject's expression and the details of his dress, including the patterned sash and the layered neckerchief. The composition is balanced, directing the viewer's attention to the face of the chief while acknowledging the tools of his trade. This print captures the texture of the original canvas, offering a clear reproduction of Catlin's technique and his specific interest in the documentation of Indigenous leadership.