Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A classic example of De Stijl, Theo van Doesburg's 'Composition with Half Values' features a grid of black lines and blocks of primary colours. This abstract painting embodies the movement's pursuit of pure form and visual harmony.
Theo van Doesburg (1883-1931) was a Dutch artist, architect, and theorist, best known as a founder of the De Stijl movement. This artistic current, which translates to "The Style", sought a pure abstraction and universality through a reduction to the essentials of form and colour; it simplified visual compositions to vertical and horizontal lines, and used only primary colours along with black and white. Van Doesburg extended these principles into architecture, design, and typography. He also explored Dadaism under the pseudonym I.K. Bonset. His work aimed to integrate art into everyday life, reflecting a utopian vision of social and aesthetic harmony. 'Composition with Half Values' exemplifies De Stijl's core tenets. The painting features a grid-like structure of black lines that delineate rectangular planes of colour. These planes are filled with white, pale blue, yellow, and a striking cobalt blue. The composition is carefully balanced, with the arrangement of colours and shapes creating a sense of visual equilibrium. The brushwork is subtle, with a smooth surface that emphasises the geometric forms. The overall effect is one of clarity and order, reflecting the movement's pursuit of universal aesthetic principles.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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founding De Stijl under one name, publishing Dada poetry under another, and fighting Mondrian over the right to use diagonals
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