Composition XXII - Theo van Doesburg - Poster

Composition XXII - Theo van Doesburg

Sale price$39.00
Product: Fine Art Poster
Size: Small Square (30x30 cm)
Frame: -
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A geometric abstract composition by Theo van Doesburg, featuring a grid-like arrangement of rectangles and squares in primary and neutral colours. This work exemplifies the De Stijl movement's principles of pure abstraction.

Theo van Doesburg, born Christiaan Emil Marie Küpper, was a Dutch artist who practised painting, writing, poetry, and architecture. He is best known as the founder and leading theorist of De Stijl, a Dutch artistic movement that advocated pure abstraction and universality by a reduction to the essentials of form and colour; he co-founded the movement's journal, *De Stijl*, in 1917. *Composition XXII* is a classic example of Van Doesburg's commitment to geometric abstraction. The painting features a grid-like arrangement of rectangles and squares in a limited palette of primary and neutral colours. A large mustard-yellow square dominates the upper portion of the composition, balanced by smaller blocks of red, blue, black, grey, and white. The arrangement is asymmetrical, creating a dynamic tension within the seemingly ordered structure. The painting reflects the De Stijl principles of reducing art to its most fundamental elements, aiming for a universal visual language.

Crafted for a Lifetime

  • Premium materials

    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

  • Museum-grade prints

    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

  • Crafted in the UK

    Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.

  • Ready to hang

    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

Crafted for a Lifetime — frame exploded view

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Fine Art Poster

Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

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Museum Quality Poster

Our Master's Edition 250gsm archival paper, in off-white and uncoated, offers museum-quality for art enthusiasts seeking a luxurious way to enjoy world-class artworks.

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Fine Art Framed

The same 200gsm fine art paper and 12-colour giclée process as our museum posters, mounted in a solid wood frame with UV acrylic glaze and rigid backing. Ready to hang.

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Standard Wood Frame

Classic 200gsm premium matte paper with 8-colour giclée printing, set in a durable wooden frame with lightweight acrylic glaze. Ready to hang.

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Gallery-wrapped slim canvas, hand-stretched for clean edges. Adds depth and texture for a painterly finish. Delivered ready to hang.

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Our premium finish, a richly textured canvas set in an elegant floating wood frame. Combines depth, texture, and craftsmanship for a gallery-worthy presentation. Delivered ready to hang.

What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk

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Theo van Doesburg

founding De Stijl under one name, publishing Dada poetry under another, and fighting Mondrian over the right to use diagonals