Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





A cityscape by Giorgio Morandi, Cortile di Via Fondazza features a view from inside a building looking out onto a courtyard, rendered in muted colours and loose brushwork.
Giorgio Morandi (1890-1964) was an Italian painter and printmaker known for his still life paintings and landscapes characterised by their simplicity and subtle tonal variations. He spent most of his life in his hometown of Bologna, and his work reflects a sense of quiet contemplation and introspection. Morandi's paintings often depict everyday objects such as bottles, vases, and boxes, arranged in carefully composed groupings. He also produced a number of landscapes, typically featuring the courtyards and buildings of Bologna. Cortile di Via Fondazza presents a view from within a building, looking out onto a courtyard. The composition is structured by the architectural elements of the building, with the strong vertical lines of the window frame and the horizontal line of the roof creating a sense of enclosure. Beyond this, the courtyard is filled with greenery, rendered in muted greens and browns. The colour palette is restrained, with soft, earthy tones dominating the canvas. The brushwork is loose and expressive, adding to the painting's sense of immediacy and intimacy. The painting captures a fleeting moment in time, inviting the viewer to pause and appreciate the beauty of the everyday.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
painting the same bottles, boxes, and vases for fifty years without leaving Bologna, outlining his feet in chalk so he would not shift while painting
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