Cushion Pine at Aoyama - Katsushika Hokusai
Archival giclée
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Description
A classic woodblock print from Hokusai's Thirty-six Views of Mount Fuji, depicting a group picnicking beneath a pine tree with the mountain in the distance.
Katsushika Hokusai produced this woodblock print as part of his series, Thirty-six Views of Mount Fuji. The composition presents a view from the Aoyama district of Edo, where a group of figures enjoys a picnic beneath the dense, rounded canopy of a large pine tree. This tree, pruned into a cushion shape, occupies the foreground and provides a dark, textured contrast to the lighter tones of the middle ground and the distant mountain.
Mount Fuji dominates the background, rendered with the characteristic simplicity and geometric clarity that define Hokusai's approach to the subject. The mountain is capped with snow, while the base is obscured by horizontal bands of mist. These bands serve to separate the foreground activity from the distant peak, creating a sense of spatial depth. The colour palette relies on Prussian blue, a pigment that had recently become available in Japan, which Hokusai utilised to great effect in the sky and the mountain's shadow.
In the lower right, the figures are depicted in relaxed poses, engaged in conversation and dining. A stone lantern sits nearby, grounding the scene in a specific, cultivated environment. The print demonstrates the artist's ability to balance human activity with the grandeur of the natural world. The use of repeating, circular forms for the pine needles contrasts with the sharp, triangular silhouette of the mountain, a visual device that directs the viewer's eye across the frame. This work remains a clear example of the technical precision achieved by Hokusai and his block carvers during the Edo period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Cushion Pine at Aoyama - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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