Daphne in the Water - Jean-Jacques-François Le Barbier
Archival giclée
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Description
A refined 1788 Neoclassical engraving by Jean-Jacques-François Le Barbier depicting a mythological encounter between Apollo and Daphne.
This engraving, dated 1788, depicts a scene from classical mythology involving the nymph Daphne. Jean-Jacques-François Le Barbier, a prominent French illustrator and painter of the late eighteenth century, captures a moment of quiet observation. The composition features a male figure, likely Apollo, seated in the foreground beneath the heavy boughs of an ancient tree. He gazes towards the water where Daphne stands, partially obscured by the natural environment.
The work demonstrates the technical precision characteristic of late eighteenth-century French printmaking. Le Barbier employs a variety of hatching techniques to define the textures of the gnarled tree bark, the soft ripples of the water, and the drapery of the figures. The scene is framed by a decorative border, a common feature in book illustrations of the period, which provides a structured boundary for the narrative. Below the image, a cartouche contains a French inscription reflecting on the encounter, adding a literary dimension to the visual representation.
Le Barbier was well known for his contributions to various literary publications, often collaborating with skilled engravers to translate his drawings into print. This piece reflects the Neoclassical interest in classical themes, prioritising clarity of form and a balanced arrangement of elements. The artist avoids excessive ornamentation, focusing instead on the interaction between the figures and their setting. The print serves as an example of the refined aesthetic prevalent in pre-revolutionary France, where mythological subjects were frequently reinterpreted through a lens of grace and emotional restraint. The attention to detail in the foliage and the anatomical rendering of the seated figure demonstrate the artist's academic training and his ability to convey narrative through subtle gesture and spatial depth.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Daphne in the Water - Jean-Jacques-François Le Barbier
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