Dark Snow - Gustave de Smet - Poster

Dark Snow - Gustave de Smet

Sale price$39.00
Product: Fine Art Poster
Size: Small Square (30x30 cm)
Frame: -
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A winter scene rendered in muted browns, whites, and greys, 'Dark Snow' by Gustave de Smet captures the harshness of the winter season with loose brushwork and a stark atmosphere.

Gustave de Smet (1877-1943) was a Belgian painter associated with the Fauvist movement. He is recognised for his expressive use of colour and simplified forms. His work often depicted rural scenes and figures, reflecting a concern with the everyday lives of ordinary people. De Smet's artistic journey involved experimentation with various styles, including Expressionism and Cubism, before developing his distinctive Fauvist approach. His paintings are characterised by bold brushstrokes and a strong sense of emotional intensity. 'Dark Snow' presents a winter scene rendered in a palette of muted browns, whites, and greys. The composition features a cluster of buildings partially obscured by snow, with bare trees and a flock of birds in flight adding to the stark atmosphere. The brushwork is loose and expressive, contributing to the painting's overall sense of movement and energy. The limited colour range enhances the feeling of cold and desolation, capturing the harshness of the winter season. The painting's title suggests a sense of unease or foreboding, inviting viewers to contemplate the darker aspects of nature.

Crafted for a Lifetime

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    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

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    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

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    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

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Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

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The same 200gsm fine art paper and 12-colour giclée process as our museum posters, mounted in a solid wood frame with UV acrylic glaze and rigid backing. Ready to hang.

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What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk

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Gustave de Smet

When war broke out in 1914, De Smet and his friend Frits Van den Berghe fled Belgium together for the Netherlands. The flight transformed both painters. In the Netherlands, exposure to the Bergen School and to Leo Gestel's work converted De Smet from an Impressionist into an Expressionist. He returned to Belgium in 1922 a different artist. He was born in Ghent in 1877. His father Jules was a decorative painter and photographer. He attended the Royal Academy of Fine Arts in Ghent from 1889 to 1896, then joined the artistic community at Sint-Martens-Latem, where he, Constant Permeke and Van den Berghe became the three founders of Flemish Expressionism, the second Latem School. After the war, he settled in Deurle in 1927. His mature paintings depict farmers, fishermen, popular entertainments and working-class women, composed as geometric, puzzle-like arrangements of coloured shapes that fuse Expressionism with Cubism. Village fairs and circus scenes recur frequently, treated with a formal rigour that lifts them out of genre painting into something more structural. His palette, brighter than Permeke's and more structured than Van den Berghe's, gives his Expressionism a decorative quality that softens without weakening the formal discipline underneath. He died in 1943, at sixty-six.