Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A precise 1762 botanical watercolour study of the 'Franciscus Primus' hyacinth by Dutch artist Jan Augustini.
This botanical study by Jan Augustini, dated 1762, depicts the hyacinth variety known as 'Franciscus Primus'. Augustini, a Dutch artist active during the eighteenth century, produced numerous works documenting the flora of the Netherlands. His approach to botanical art prioritises scientific accuracy and clarity, reflecting the period's interest in taxonomy and the systematic classification of plant species.
The composition is centred on the vertical axis, presenting the hyacinth in full bloom. The artist employs a delicate watercolour technique to render the soft, layered petals of the blue flower. The leaves are painted in muted shades of green, with subtle variations in tone to suggest their structure and curvature. The plant rises from a small, grounded patch of soil, providing a sense of context without distracting from the primary subject. The background remains plain, ensuring the focus stays on the botanical details of the specimen.
Augustini's work is characteristic of the tradition of Dutch flower painting, which evolved from the elaborate still-life compositions of the previous century into more precise, individualised studies. This piece demonstrates the artist's ability to capture the specific morphology of the hyacinth, from the dense cluster of florets to the elongated, tapering leaves. The signature and date are visible in the lower right corner, confirming the provenance of this specific study. Such works were often produced for collectors or as part of larger botanical catalogues, serving as a record of the horticultural varieties available in the mid-eighteenth century. The print captures the original paper texture and the subtle washes of the watercolour medium, offering a clear view of the artist's hand and the precision required for such scientific documentation.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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