A detailed 1694 etching by Jan Luyken depicting an oil presser at work, taken from the Menselyk Bedryf series documenting seventeenth-century trades.

This etching by Jan Luyken, titled De Olislaager, originates from his celebrated series Menselyk Bedryf (Human Occupations), published in Amsterdam in 1694. The work depicts an oil presser at his trade, accompanied by a woman who assists in the process. Luyken, a prolific Dutch engraver and poet, utilised this series to document the various crafts and trades of the seventeenth century. Each plate in the collection combines a visual representation of a specific profession with a moralising poem, reflecting the cultural values of the period.

The composition is structured within a domestic workshop setting. The central figures are engaged in the act of pouring and collecting oil, with barrels and tools arranged around them to provide a sense of spatial depth. Through the window, a glimpse of a Dutch townscape provides context for the location. Luyken employs fine, precise lines to define the textures of the wooden barrels, the clothing of the figures, and the architectural elements of the room. The inclusion of text above and below the image serves both as a title and a didactic commentary, linking the physical labour of the oil presser to spiritual metaphors regarding the light of virtue and the soul.

As a historical document, the print offers a clear view into the methods of production during the late seventeenth century. Luyken’s ability to balance technical accuracy with narrative detail makes this work a valuable example of Dutch printmaking. The etching is characterised by its clean lines and balanced composition, typical of Luyken's approach to the series. It remains a precise record of the tools and techniques employed by tradespeople of the era, presented with the clarity and observational rigour that defined his career as an illustrator and chronicler of daily life.