A masterful 17th-century engraving by Gérard Audran, depicting the biblical scene of the death of Ananias based on the composition by Raphael.

This engraving by Gérard Audran depicts the biblical narrative of the death of Ananias, an event recorded in the Acts of the Apostles. Audran, a master of the burin, based this composition on the famous Raphael cartoon of the same subject. The scene captures the moment of divine judgement, where Ananias collapses to the ground after being confronted by Saint Peter for his deceit regarding the sale of his land.

Audran employs a sophisticated system of cross-hatching and varied line weights to translate the tonal qualities of the original painting into a monochrome medium. The central figure of Saint Peter stands with authority, his gesture directing the viewer towards the fallen Ananias. The surrounding apostles and onlookers display a range of reactions, from shock to solemn observation, which adds a sense of theatricality to the composition. The architectural setting, defined by heavy drapery and a tiled floor, provides a stage-like environment that grounds the figures in a classical space.

As a printmaker, Audran was highly regarded for his ability to reproduce the works of great masters with technical precision. This work demonstrates his command over light and shadow, creating a sense of volume in the drapery and depth within the interior. The inclusion of the dedication to Henry-François Daguesseau at the base of the print reflects the common practice of the period, where such works were often commissioned or presented to patrons of status. The print serves as a record of the Raphael composition, making the imagery accessible to a wider audience beyond the confines of the original tapestry or painting location. The balance between the dramatic narrative and the formal arrangement of the figures is characteristic of the Baroque approach to historical subjects, prioritising clarity of action and emotional resonance.