A dramatic etching from Goya's La Tauromaquia series, depicting the fatal encounter of the matador Pepe Illo in the bullring.

This print is Plate 29 from the series La Tauromaquia, a collection of thirty-three etchings by Francisco Goya documenting the history and practice of bullfighting in Spain. The scene depicts the fatal goring of the famous matador José Delgado Guerra, known as Pepe Illo, in the Madrid bullring in 1801. Goya employs a combination of etching, aquatint, and drypoint to capture the chaotic energy of the arena. The composition focuses on the central struggle between the matador and the bull, while the surrounding figures and the distant, indistinct crowd provide a sense of scale and atmosphere.

Goya uses light and shadow to direct the viewer's attention to the violent encounter. The stark contrast between the illuminated centre of the ring and the darker periphery creates a sense of immediate danger. The lines are precise, reflecting Goya's technical mastery of the copper plate. Unlike earlier, more formal depictions of the sport, this work captures the raw, unvarnished reality of the event. The figures are rendered with a sense of movement and urgency, conveying the peril inherent in the matador's profession.

As a document of Spanish culture, the series offers a perspective on the spectacle of the bullfight during the early nineteenth century. Goya does not romanticise the scene, choosing instead to present the brutality of the sport with clinical observation. The print remains a significant example of Goya's graphic work, demonstrating his ability to convey complex narratives through minimal means. The technical execution, particularly the use of aquatint to create tonal depth, allows for a nuanced rendering of the dusty arena floor and the shifting light of the afternoon. This print is a fine example of Goya's late graphic style, where economy of line meets emotional intensity.