Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

This fresco by Benozzo Gozzoli depicts the 'Death of the Knight of Celano', a scene from the life of St. Francis of Assisi. The composition, divided into two groups, showcases the artist's Early Renaissance style and muted colour palette.
Benozzo Gozzoli's fresco, 'Death of the Knight of Celano', is a work from the Early Renaissance, painted in the mid-15th century. Gozzoli, an Italian painter, was a student of Fra Angelico and is known for his decorative fresco cycles, particularly those in the Medici Chapel in Florence. This fresco is part of a series depicting the life of St. Francis of Assisi. The scene illustrates a story from the saint's life, where St. Francis witnesses the death of a knight who, according to legend, was condemned to hell but was saved by the saint's prayers. The composition is divided into two distinct groups within an architectural setting. On the left, St. Francis is depicted at a table, seemingly interceding for the dying knight. To the right, a group of mourners surrounds the knight's body. The figures are rendered with a degree of naturalism, typical of the Early Renaissance, with attention paid to their expressions and gestures. The colour palette is muted, dominated by earth tones and softened blues, which contribute to the solemn atmosphere of the scene. The architectural setting, with its columns and arches, provides a structured backdrop for the narrative.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Florentine painter who packed the Medici chapel with portraits, horses, and a baby leopard on a gold leash in his magnificent 1459 fresco cycle.
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