Design for Urne Buriall – Ghosts - Paul Nash - Poster
Design for Urne Buriall – Ghosts - Paul Nash - Lifestyle
Design for Urne Buriall – Ghosts - Paul Nash - Canvas
Design for Urne Buriall – Ghosts - Paul Nash - Framed Canvas Black
Design for Urne Buriall – Ghosts - Paul Nash - Framed Canvas Dark Wood
Design for Urne Buriall – Ghosts - Paul Nash - Framed Canvas Wood
Design for Urne Buriall – Ghosts - Paul Nash - Framed Print Black
Design for Urne Buriall – Ghosts - Paul Nash - Framed Print Wood
Design for Urne Buriall – Ghosts - Paul Nash - Framed Print Dark Wood
Design for Urne Buriall – Ghosts - Paul Nash - Framed Print White

Design for Urne Buriall – Ghosts - Paul Nash

Sale price$29.00
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
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A surreal and haunting landscape by British modernist Paul Nash, 'Design for Urne Buriall – Ghosts' explores themes of death and memory with delicate pencil strokes and ghostly figures. A perfect fine art print for adding intellectual intrigue to your home.

Paul Nash (1889-1946) was a key figure in British modernism, known for his surrealist landscapes and war art. This work, 'Design for Urne Buriall – Ghosts', created in 1932, reflects Nash's interest in the themes of death, memory, and the uncanny, influenced by Sir Thomas Browne's 'Hydriotaphia, Urn Burial'. The drawing presents a dreamlike landscape populated with ghostly figures and surreal objects, rendered in delicate pencil strokes. A classical torso stands prominently, surrounded by floating heads, ethereal figures, and ambiguous forms that evoke a sense of mystery and unease. The composition is both haunting and evocative, inviting viewers to contemplate the transient nature of existence. As a fine art print, this piece adds a touch of intellectual intrigue and surreal beauty to any space. Its monochromatic palette and intricate details make it a versatile addition to various interior styles, from minimalist to eclectic, sparking conversation and contemplation.

Crafted for a Lifetime

  • Premium materials

    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

  • Museum-grade prints

    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

  • Crafted in the UK

    Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.

  • Ready to hang

    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

Crafted for a Lifetime — frame exploded view

Find the finish that fits your home

Select from our premium printing options to bring your artwork to life

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Fine Art Poster

Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

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Museum Quality Poster

Our Master's Edition 250gsm archival paper, in off-white and uncoated, offers museum-quality for art enthusiasts seeking a luxurious way to enjoy world-class artworks.

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Fine Art Framed

The same 200gsm fine art paper and 12-colour giclée process as our museum posters, mounted in a solid wood frame with UV acrylic glaze and rigid backing. Ready to hang.

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Standard Wood Frame

Classic 200gsm premium matte paper with 8-colour giclée printing, set in a durable wooden frame with lightweight acrylic glaze. Ready to hang.

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Canvas

Gallery-wrapped slim canvas, hand-stretched for clean edges. Adds depth and texture for a painterly finish. Delivered ready to hang.

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Framed Canvas

Our premium finish, a richly textured canvas set in an elegant floating wood frame. Combines depth, texture, and craftsmanship for a gallery-worthy presentation. Delivered ready to hang.

What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk

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Paul Nash

Paul Nash

Before his canvases echoed with dreamscapes and wartime desolation, Paul Nash was captivated by the mystical landscapes of his childhood home in Buckinghamshire. This early immersion in nature's enigmatic beauty laid the foundation for his distinctive brand of Surrealism, one deeply rooted in the British countryside rather than Parisian cafes. Nash wasn't just painting what he saw; he was revealing the hidden spirit of the land. Nash sought to capture the 'inner life' of objects and places, blending realism with symbolic representation. His war art, such as 'A Shell Crater', is haunting not for its graphic depiction of violence, but for its evocation of the landscape's wounded psyche. Similarly, works like 'Landscape of the Moon's First Quarter' demonstrate his ability to find the extraordinary in the ordinary, transforming familiar scenes into otherworldly visions. He masterfully walked the line between abstraction and figuration, inviting viewers to contemplate the unseen forces shaping our world. Today, Paul Nash's art continues to resonate with collectors who appreciate his unique blend of British sensibility and Surrealist vision. His landscapes, whether serene or scarred, offer a profound meditation on the relationship between humanity and the environment. Nash's ability to find beauty and meaning in the most unexpected places ensures his place as a vital and enduring voice in British art history.