Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





This tapestry by Sophie Taeuber-Arp features a grid of abstract shapes in bold colours, reflecting her interest in geometric abstraction and her ability to create visually engaging compositions using simple elements.
Sophie Taeuber-Arp (1889-1943) was a Swiss artist, sculptor, dancer, and designer, considered one of the most important figures of the Dada movement. Her work bridged the gap between applied arts and fine arts, often incorporating geometric abstraction. She explored the use of simple shapes and primary colours to create dynamic compositions. Taeuber-Arp's artistic output included painting, sculpture, textile design, and puppetry. She collaborated with her husband, Jean Arp, on various projects, further solidifying her place in the avant-garde art scene. 'Elementary Forms' is a tapestry featuring a grid of abstract shapes in bold colours. The composition is divided into squares, each containing a distinct geometric form. These forms include circles, rectangles, and curvilinear shapes, arranged in a playful and dynamic manner. The colour palette consists of red, yellow, blue, and black, creating a visually striking contrast. The tapestry's texture adds another layer of complexity, with the woven threads creating a tactile surface. The work reflects Taeuber-Arp's interest in geometric abstraction and her ability to create visually engaging compositions using simple elements.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
dancing at Dada evenings under a fake name, reaching abstraction through textile grids, designing puppets that Zurich hated, and appearing on the fifty-franc note
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