Enoshima in Sagami Province - Katsushika Hokusai
Archival giclée
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Description
A classic woodblock print by Katsushika Hokusai, depicting the island of Enoshima and the distant peak of Mount Fuji at low tide.
This woodblock print is part of the series Thirty-six Views of Mount Fuji, a collection that solidified Hokusai's reputation during the late Edo period. The composition depicts the island of Enoshima at low tide, revealing the sandbar that connects it to the mainland. Pilgrims are shown traversing this path, their small figures providing a sense of scale against the coastal geography.
To the left, the island rises with its dense foliage and the silhouette of a pagoda, suggesting the religious significance of the site. On the right, the horizon opens to reveal the distant, snow-capped peak of Mount Fuji. The artist employs a clear, structured approach to space, using the diagonal line of the sandbar to guide the viewer's eye across the scene. The use of Prussian blue, a pigment that was relatively new to Japan at the time, defines the water and the upper sky, creating a contrast with the warm, neutral tones of the sand and the architecture.
Hokusai balances the human activity of the pilgrims with the stillness of the natural environment. The print demonstrates his ability to capture specific topographical features while maintaining a sense of atmospheric clarity. The architectural details of the village are rendered with precision, reflecting the artist's interest in the daily life of the region. This work remains a primary example of the technical mastery involved in the ukiyo-e tradition, particularly in the application of colour blocks to achieve depth and tonal variation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Enoshima in Sagami Province - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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