Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Falls in January - John Henry Twachtman
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
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Description
A study of a frozen waterfall in winter, rendered in cool tones and gestural brushstrokes by American Impressionist John Henry Twachtman.
John Henry Twachtman produced this study of a frozen waterfall during his time living in Greenwich, Connecticut. The work captures the specific atmospheric conditions of a New England winter. Twachtman focuses on the interplay between the icy, white surfaces and the dark, rushing water that remains unfrozen. His brushwork is loose and gestural, prioritising the capture of light and temperature over precise topographical detail.
The palette is restricted to cool tones, relying on variations of white, grey, and deep blue to convey the chill of the season. The composition is flattened, pushing the subject matter toward the surface of the canvas. This approach reflects the influence of Tonalism, a movement that prioritised mood and shadow, which Twachtman integrated into his own version of Impressionism. By simplifying the forms of the rocks and the water, he creates a rhythmic pattern of light and dark that suggests the movement of the stream despite the surrounding ice.
Twachtman often returned to the same subjects on his property, observing them under different weather conditions and times of day. This repetition allowed him to explore the limits of his medium. In this piece, the paint is applied with varying thickness, creating a tactile surface that mimics the texture of snow and ice. The work avoids the high-chroma colours often associated with French Impressionism, opting instead for a more restrained, atmospheric quality that defines his mature style. It remains a representative example of his interest in the quiet, often overlooked aspects of the natural world during the winter months.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Falls in January - John Henry Twachtman
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
John Henry Twachtman
Twachtman painted the same small waterfall on his Connecticut property dozens of times, in snow, in spring melt, in summer shade, in different qualities of light, and never tired of it. He was a painter's painter, admired by colleagues and unsellable to the public. The gap between professional respect and commercial failure defined his career.
He was born in Cincinnati in 1853, studied there under Frank Duveneck, then enrolled at the Academy of Fine Arts in Munich in 1875, where he acquired the dark, heavy manner of the Munich school. A trip to Venice with Duveneck and William Merritt Chase in 1878 began to loosen him. By 1883 he was in Paris at the Academie Julian, and the brownish palette was gone. Whistler's tonal subtlety and the Impressionists' light replaced it; Theodore Robinson and Childe Hassam encouraged the shift further.
He bought a farm in Greenwich, Connecticut, in 1890, and it became his primary subject. The waterfall, the pool, the hemlock trees and the snow-covered fields appeared in compositions influenced by Japanese prints, with high horizon lines and flattened perspectives that anticipated abstract thinking. His winter paintings are studies in whiteness that sit somewhere between Impressionism and Tonalism, quieter than either label suggests.
In 1898 he became a founding member of The Ten, a group of American artists dissatisfied with the conservative exhibition system. He also founded an informal art school at Cos Cob, Connecticut, and was known for practical jokes and irreverent wit. He died in 1902, at forty-nine. The recognition he expected in his lifetime came after it.
He was born in Cincinnati in 1853, studied there under Frank Duveneck, then enrolled at the Academy of Fine Arts in Munich in 1875, where he acquired the dark, heavy manner of the Munich school. A trip to Venice with Duveneck and William Merritt Chase in 1878 began to loosen him. By 1883 he was in Paris at the Academie Julian, and the brownish palette was gone. Whistler's tonal subtlety and the Impressionists' light replaced it; Theodore Robinson and Childe Hassam encouraged the shift further.
He bought a farm in Greenwich, Connecticut, in 1890, and it became his primary subject. The waterfall, the pool, the hemlock trees and the snow-covered fields appeared in compositions influenced by Japanese prints, with high horizon lines and flattened perspectives that anticipated abstract thinking. His winter paintings are studies in whiteness that sit somewhere between Impressionism and Tonalism, quieter than either label suggests.
In 1898 he became a founding member of The Ten, a group of American artists dissatisfied with the conservative exhibition system. He also founded an informal art school at Cos Cob, Connecticut, and was known for practical jokes and irreverent wit. He died in 1902, at forty-nine. The recognition he expected in his lifetime came after it.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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