Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Fantasie: man en vrouw - Samuel Jessurun de Mesquita
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A striking woodcut by Samuel Jessurun de Mesquita, featuring two figures in profile rendered with bold, expressive lines and high contrast.
Samuel Jessurun de Mesquita was a Dutch graphic artist known for his mastery of the woodcut medium. This work, Fantasie: man en vrouw, demonstrates his ability to manipulate negative space and stark contrast to define form. The composition features two figures, a man and a woman, positioned in profile as they face one another. The artist employs a bold, reductive approach, stripping away unnecessary detail to focus on the psychological tension between the subjects.
The man, wearing a cap, displays facial features rendered with sharp, economical lines that suggest age and weariness. Opposite him, the woman is draped in a hooded garment, her expression softened by the simplicity of the carving. De Mesquita uses rhythmic, parallel incisions to suggest the texture of their clothing and the contours of their faces, a technique that creates a sense of volume against the deep black background. The stark white lines against the dark field provide a graphic clarity that is characteristic of his output during the early twentieth century.
De Mesquita was a significant figure in the Dutch art scene, teaching at the School of Applied Arts in Haarlem and influencing many younger artists, including M.C. Escher. His work often explored themes of human character and animal forms, frequently utilising the woodcut process to achieve a high degree of stylisation. This print is an example of his technical precision, showing how he could convey complex emotional states through minimal visual information. The composition remains balanced, with the two figures acting as mirror images of one another, creating a quiet, contemplative atmosphere. The print is presented here as a high-quality reproduction, capturing the original texture and the stark contrast of the woodblock technique.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Fantasie: man en vrouw - Samuel Jessurun de Mesquita
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Samuel Jessurun De Mesquita
After the Nazis deported De Mesquita and his family in February 1944, M.C. Escher went to his teacher's ransacked house and rescued as much of his work as he could. Some of the prints Escher saved still bear the muddy boot prints of German soldiers. De Mesquita, his wife Elisabeth and their son Jaap all died in the camps.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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