Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Fantasiekop: profielkop in arceringen - Samuel Jessurun de Mesquita
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A striking woodcut portrait by Samuel Jessurun de Mesquita, featuring a profile head constructed through rhythmic, geometric hatching.
Samuel Jessurun de Mesquita was a Dutch graphic artist known for his mastery of the woodcut medium. This work, titled Fantasiekop: profielkop in arceringen, demonstrates his ability to reduce a human form into a series of rhythmic, geometric lines. The profile of the head is constructed entirely through parallel hatching, which creates a sense of movement and structure within the frame. By stripping away realistic detail, the artist focuses on the interplay between light and shadow, using the stark contrast of black ink against the paper to define the features.
De Mesquita often experimented with stylised forms, drawing inspiration from various sources including Japanese prints and the broader European avant-garde movements of the early twentieth century. His approach to the woodblock is precise, showing a clear understanding of the resistance of the material. The lines are deliberate, carving out the shape of the face while simultaneously creating a decorative pattern that fills the composition. The surrounding dark field provides a heavy anchor for the lighter, linear portrait, pushing the subject forward.
This print is an example of the artist's technical rigour. He avoids unnecessary ornamentation, preferring to let the economy of his marks communicate the character of the subject. The work reflects a period in Dutch art where graphic design and fine art began to overlap, with artists exploring how simple shapes could convey psychological depth. The result is a portrait that feels both modern and timeless, stripped of specific temporal markers. It remains a study in how minimal intervention on a woodblock can produce a compelling visual statement, demonstrating the artist's control over his chosen medium and his unique vision of the human profile.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Fantasiekop: profielkop in arceringen - Samuel Jessurun de Mesquita
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Samuel Jessurun De Mesquita
After the Nazis deported De Mesquita and his family in February 1944, M.C. Escher went to his teacher's ransacked house and rescued as much of his work as he could. Some of the prints Escher saved still bear the muddy boot prints of German soldiers. De Mesquita, his wife Elisabeth and their son Jaap all died in the camps.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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