Faraway Looks - René Magritte
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A 1928 Surrealist portrait by René Magritte, featuring a double profile that explores themes of identity and perception.
René Magritte, a central figure in the Surrealist movement, often explored the tension between reality and representation. In Faraway Looks, painted in 1928, the artist presents a double profile of a woman. The composition relies on a clean, almost clinical application of paint, which contrasts with the unsettling nature of the subject matter. The two faces, slightly offset, create a sense of displacement. One profile appears to emerge from the shadow of the other, suggesting a fragmentation of identity or a shift in perception. Magritte frequently utilised ordinary objects and figures to disrupt the viewer's expectations. By placing these profiles against a sparse, muted background, he forces the focus onto the psychological ambiguity of the figures. The horizontal line bisecting the background adds a sense of spatial order, yet it does little to ground the floating, ethereal nature of the heads. The lighting is deliberate, casting deep shadows that define the contours of the faces while simultaneously obscuring their full form. This work reflects the artist's interest in the hidden aspects of the human psyche and the limitations of visual language. Unlike many of his contemporaries who focused on dream-like abstraction, Magritte maintained a precise, representational style. This clarity makes the impossible nature of his subjects more jarring. The muted colour palette, dominated by earthy tones and soft shadows, contributes to the quiet, contemplative mood of the piece. It invites the viewer to consider the relationship between the seen and the unseen, a recurring theme throughout his career. This print captures the precise brushwork and the subtle tonal shifts of the original oil painting, offering a clear view of Magritte's technical approach to the uncanny.
You might also like
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Faraway Looks - René Magritte
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
René Magritte
He grew up in Lessines, Belgium. His mother drowned herself in the River Sambre when he was thirteen; her body was found with her nightdress wrapped around her face. Whether this explains the recurring covered faces in his paintings is a question biographers have insisted on and Magritte consistently refused to answer.
He studied at the Academie Royale des Beaux-Arts in Brussels and spent several years working as a commercial artist and wallpaper designer. The commercial work is relevant: his painting technique is deliberately flat, illustrative, and impersonal. There are no visible brushstrokes, no evidence of struggle. The surfaces look like advertisements for impossible things. He painted in a small room in his house, wearing a suit, with his easel next to the living room furniture.
He was a Surrealist but not the Parisian variety. He disliked Breton's intellectualising and preferred to work from home in Brussels. His version of Surrealism was cooler and more logical: ordinary objects placed in wrong contexts, familiar things made strange through simple displacement. A rock floating in the sky. An apple covering a face. A train emerging from a fireplace. Each painting poses a single visual problem and leaves you to solve it.
He made relatively few paintings compared to his contemporaries. Each one is self-contained. He did not develop through phases or wrestle with form. He found his approach early and refined it quietly for decades.
You May Also Like