Female Nude with a Jug - André Derain
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A classical study by André Derain, this painting features a seated female figure rendered with sculptural form and a muted, earthy palette.
André Derain, a central figure in the development of early twentieth-century French art, produced this work during his post-Fauvist period. By the 1920s, Derain had moved away from the radical colour experiments of his youth, adopting a more restrained, classical approach to form and composition. This shift reflects his interest in the traditions of European painting, particularly the works of the Old Masters, while maintaining a distinctly modern sensibility.
The painting depicts a seated female figure positioned against a simplified, almost schematic background. The composition is structured around the solid, sculptural volume of the subject, whose pose echoes classical statuary. Derain employs a palette of earthy tones, ochres, and muted blues, which provides a sense of stability and weight to the figure. The presence of the jug in the foreground serves as a traditional still-life element, grounding the scene and providing a contrast to the organic curves of the body.
Derain’s brushwork here is deliberate and controlled. He avoids the spontaneous, expressive marks of his earlier career, opting instead for a smooth application of paint that emphasises the physical presence of the subject. The lighting is even, lacking dramatic chiaroscuro, which contributes to the overall sense of stillness and timelessness. This work demonstrates Derain's engagement with the concept of the 'return to order' that characterised much of the French art scene following the First World War. It is a study in balance, proportion, and the representation of the human form within a controlled, pictorial space. The work remains a clear example of the artist's mature style, where technical discipline and a respect for historical precedent guide the creative process.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Female Nude with a Jug - André Derain
Artist Biography
Andre Derain
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

