Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A watercolour painting by Maurice Prendergast, 'Fiesole, Venice' (also known as 'The Day Before the Fiesta, St. Pietro in Volte') depicts a festive street scene in Venice with colourful banners and lively figures, capturing the excitement of an impending festival.
Maurice Prendergast (1858-1924) was an American Post-Impressionist artist who used a unique, colourful style. He is known for his lively depictions of urban life and leisure. Prendergast was associated with The Eight, a group of American artists who challenged the academic traditions of the time. He embraced modernism and experimented with broken brushstrokes and flattened perspective. His work often captures fleeting moments and the energy of crowds. 'Fiesole, Venice' (also known as 'The Day Before the Fiesta, St. Pietro in Volte') is a watercolour painting that shows a street scene in Venice, Italy. Banners and flags are strung across the street, creating a festive atmosphere. Figures populate the scene, including women and children in the foreground. Prendergast's use of watercolour gives the painting a light, airy quality. The colours are bright and cheerful, contributing to the overall sense of celebration. The composition is dynamic, with the eye drawn through the street by the arrangement of figures and flags. The painting captures a sense of movement and the excitement of an impending festival.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
mosaic-like Post-Impressionist scenes of parks and beaches, too advanced for American audiences of his time
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