Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Fire Painting F31 - Yves Klein
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A striking abstract work from Yves Klein's 1961 series, created by scorching cardboard with a flame thrower to capture the raw energy of fire.
Yves Klein produced his series of Fire Paintings between 1961 and 1962, primarily at the Centre d'Essais du Gaz de France. This work, F31, represents the artist's interest in the elemental forces of nature. Klein utilised a flame thrower to scorch the surface of cardboard, capturing the physical trace of fire itself. The process relies on the interaction between the heat source and the material, resulting in a charred, organic form that radiates outward from a dense, dark centre.
The composition is minimalist. It avoids traditional brushwork or pigment application, instead allowing the combustion process to dictate the final appearance. The scorched area transitions from a deep, carbonised black at the core to lighter, amber-toned edges where the heat was less intense. This method aligns with Klein's broader objective to move beyond conventional painting techniques, seeking instead to record the energy of the elements directly onto a support.
By using fire, Klein engaged with the concept of the void and the ephemeral nature of existence. The work is not a representation of fire, but a physical index of its presence. The texture is rough and tactile, showing the uneven impact of the flame on the cardboard fibres. This series remains a distinct departure from his better-known International Klein Blue works, yet it shares the same focus on pure, unmediated experience. The resulting image possesses a raw, immediate quality that reflects the artist's desire to capture the invisible forces of the universe. It is a study in heat, destruction, and the transformation of matter, presenting a stark visual record of a controlled, yet inherently unpredictable, chemical reaction.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Fire Painting F31 - Yves Klein
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Yves Klein
Klein patented a colour. International Klein Blue, or IKB, is an ultramarine pigment suspended in a synthetic resin that keeps the colour saturated and matte. He registered it in 1960. The blue is so intense it appears to absorb light. He covered canvases, sponges, plaster casts, and globe sculptures in it. He covered naked women in it and pressed them against canvas (he called them 'Anthropometries' and performed the process in front of an audience while a chamber orchestra played his Monotone-Silence Symphony: twenty minutes of a single sustained chord followed by twenty minutes of silence).
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
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Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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