Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Flight into Egypt: The Holy Family Approaching a Village - Giovanni Domenico Tiepolo
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
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Description
An 18th-century etching by Giovanni Domenico Tiepolo depicting the Holy Family on their journey, rendered with precise line work and atmospheric detail.
This etching belongs to the series 'Idee Pittoresche sopra la Fugga in Egitto', a collection of twenty-four plates produced by Giovanni Domenico Tiepolo in 1753. The series depicts the journey of the Holy Family as they travel toward Egypt to escape the decree of Herod. Unlike the grand, theatrical compositions often associated with his father, Giovanni Battista Tiepolo, the younger artist adopts a more observational and human approach to the biblical narrative.
In this specific plate, the Holy Family is viewed from behind as they traverse a path toward a distant village. The donkey, laden with supplies and covered by a striped cloth, occupies the foreground alongside the figures of Joseph and Mary. The artist employs precise, rhythmic lines to define the textures of the drapery and the foliage of the trees. The composition relies on a clear recession of space, guiding the eye from the figures in the immediate foreground toward the architectural forms of the village nestled in the background. The sky is rendered with sparse, horizontal hatching, which creates a sense of atmospheric clarity.
Giovanni Domenico Tiepolo was a skilled printmaker who frequently used his etchings to explore variations on a theme. His work often blends religious subject matter with elements of genre painting, focusing on the mundane aspects of the journey rather than purely devotional iconography. The inclusion of the donkey and the heavy packs adds a grounded, realistic quality to the scene. This print demonstrates the technical proficiency of the Venetian school during the eighteenth century, where the economy of line is used to convey both form and mood. The work remains a fine example of the narrative capabilities of the etching medium, capturing a quiet moment of travel within a larger, well-known historical account.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Flight into Egypt: The Holy Family Approaching a Village - Giovanni Domenico Tiepolo
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giovanni Domenico Tiepolo
The younger Tiepolo spent the last twenty years of his life drawing Punchinello. He produced 104 sketches of the hunchbacked commedia dell'arte clown, subtitled "Entertainments for the Children", though the satire was aimed at adults. The drawings show Punchinello eating, dancing, courting, being executed, and being buried, a complete biography of a fictional fool used to lampoon the pretensions of Venetian society.
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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