A 1734 engraving by Pieter Tanjé depicting the goddess Flora, based on an original composition by Parmigianino.

This engraving by the Dutch printmaker Pieter Tanjé, dated 1734, depicts the Roman goddess Flora surrounded by a retinue of putti. The composition is based on an original work by the Italian painter Parmigianino. Tanjé demonstrates his technical proficiency through the use of varied hatching and stippling techniques to render the soft, voluminous clouds and the delicate textures of the figures' skin.

Flora is positioned centrally, seated amidst clouds, while putti offer her garlands of flowers. A single putto descends from above, holding a wreath, which adds a sense of vertical movement to the scene. The lighting is managed through subtle gradations of tone, creating a soft, ethereal atmosphere typical of the Rococo period. The engraving captures the grace and fluidity associated with Parmigianino's style, translated into the precise medium of copperplate engraving.

Pieter Tanjé was active in Amsterdam and gained recognition for his ability to reproduce the works of earlier masters. This print is an example of the reproductive engraving tradition, where the printmaker acted as an interpreter of a painter's vision. The inscription at the bottom indicates the original painter, Parmigianino, and the date of the print's production. The work remains a clear example of 18th-century printmaking, where the focus was on the balance between light and shadow to define form and space. The composition avoids clutter, allowing the central figure of Flora to maintain her prominence within the celestial setting. The print provides an insight into the circulation of artistic motifs across Europe during the 1700s, as Dutch engravers frequently looked to Italian Renaissance and Mannerist sources for their subject matter.