A detailed 1581 hand-coloured engraving by Abraham de Bruyn, depicting traditional regional costumes from Picardy and Wallonia.

This hand-coloured engraving originates from the 1581 publication 'Omnium pene Europae, Asiae, Aphricae, Americae gentium habitus', a significant collection of costume studies by the Flemish engraver Abraham de Bruyn. The work documents the sartorial customs of various regions, providing a visual record of late sixteenth-century dress.

The composition presents two figures side by side, identified by the Latin inscriptions at the base as a woman from Picardy and a commoner from Wallonia. The female figure wears a long, pale gown with dark trim and fur-lined sleeves, reflecting the modest yet structured fashion of the period. Beside her, the male figure is depicted in a striped doublet and voluminous breeches, typical of the exaggerated silhouettes popular in European fashion during the late 1500s. He wears a wide-brimmed hat and a ruff, details that signify his social standing and regional identity.

De Bruyn utilised precise line work to define the textures of the fabric, from the heavy folds of the woman's skirt to the rigid stripes of the man's doublet. The application of colour is restrained, focusing on earthy tones and soft hues that complement the underlying engraving. This print serves as a historical document, capturing the specific cultural markers of dress in the Low Countries and northern France. It reflects the era's fascination with ethnography and the systematic classification of global populations through their attire. The figures stand on a simple, suggested ground line, which keeps the focus entirely on the details of their clothing and posture. This piece is an example of the technical skill involved in sixteenth-century printmaking, where the marriage of copperplate engraving and hand-applied pigment allowed for the mass dissemination of fashion and cultural information across the continent.