A striking lithographic portrait by Lovis Corinth, capturing his subject with expressive, gestural lines and a focus on psychological presence.

This lithograph by Lovis Corinth captures the subject, Frau Goeritz, with the characteristic immediacy found in the artist's later graphic work. Corinth, a central figure in the transition from academic realism to German Expressionism, utilised a loose, gestural approach to mark-making that prioritised the psychological presence of the sitter over rigid anatomical precision.

The composition is defined by the contrast between the detailed, focused rendering of the face and the rapid, energetic strokes used to describe the subject's clothing and the surrounding space. Corinth employs a heavy, rhythmic application of the lithographic crayon, creating a sense of movement within the static pose. The sitter is depicted in a seated position, her posture relaxed yet attentive. The artist avoids unnecessary detail, allowing the raw texture of the medium to convey the volume and weight of the fabric.

Corinth's technique in this period often involved a directness that stripped away the artifice of traditional portraiture. By focusing on the interplay of light and shadow across the features, he creates a sense of intimacy. The background remains largely untouched, which forces the viewer to engage directly with the subject's gaze. This work demonstrates the artist's ability to capture a fleeting moment of character through economical means. The print reflects the broader shift in early twentieth-century European art towards subjective expression, where the artist's hand remains visible in every stroke. It is a study in human observation, stripped of decorative distraction and presented with a stark, honest clarity.