Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





An etching by Edvard Munch, 'From Åsgårdstrand' depicts a sparse, simplified view of the Norwegian coastal town. The print captures the essence of the location through thin, wiry lines and a muted tone, creating a quiet and contemplative mood.
This etching by Edvard Munch (1863-1944), titled 'From Åsgårdstrand', presents a simplified view of the Norwegian coastal town that held great personal significance for the artist. Åsgårdstrand was a frequent summer destination for Munch, and it became a recurring motif in his work. This particular print captures the essence of the location through a sparse, almost skeletal, rendering. The composition features a cluster of buildings, including houses with steeply pitched roofs, set against a backdrop of bare trees. The scene is defined by the artist's use of thin, wiry lines that create a sense of starkness. The etching technique allows for a delicate yet expressive quality, with the bare paper contributing to the overall muted tone. The horizontal lines suggest a body of water in the foreground, possibly the sea or a lake, reflecting the buildings and trees. The figures are rendered with minimal detail, further emphasising the scene's quiet, contemplative mood. Munch's print captures the atmosphere of the Norwegian coast with a sense of melancholy and introspection, characteristic of his broader artistic output.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Lost his mother and sister to tuberculosis as a child, painted The Scream at thirty (the figure is hearing it, not making it), and left a thousand paintings to Oslo.
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