Gabrielle Navarra - Andy Warhol
Archival giclée
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Description
A 1985 screenprint portrait by Andy Warhol, featuring his signature blend of graphic lines, bold colour blocks, and expressive, painterly background marks.
This portrait of Gabrielle Navarra, created by Andy Warhol in 1985, reflects the artist's late-career focus on commissioned portraiture. During this period, Warhol utilised his signature screenprinting process to transform photographic source material into stylised, graphic images. The work employs a high-contrast aesthetic, where flat planes of colour define the facial features and clothing, while gestural, painterly marks in the background introduce a sense of movement and spontaneity.
Warhol's approach to portraiture often involved the reduction of the subject to essential lines and shapes. In this piece, the subject is depicted with a hand resting near the chin, a pose that suggests a moment of quiet contemplation. The colour palette is characteristic of Warhol's later work, combining bold, saturated tones with areas of stark black and pale skin tones. The background features loose, expressive brushwork that contrasts with the more rigid, defined contours of the figure.
As a leading figure of the Pop Art movement, Warhol frequently explored the intersection of celebrity, commerce, and fine art. By applying the techniques of mass production to individual portraiture, he questioned the nature of identity and representation. This print captures the aesthetic language he developed throughout the 1970s and 1980s, where the mechanical process of screenprinting was balanced by manual interventions. The result is a work that feels both mass-produced and deeply personal, capturing the likeness of the subject through a lens of contemporary graphic design. This piece remains a clear example of Warhol's ability to synthesise commercial printing methods with the traditions of portrait painting, providing a visual record of the social circles he inhabited during the final decade of his life.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gabrielle Navarra - Andy Warhol
Artist Biography
Andy Warhol
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
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