A detailed seventeenth-century engraving by Cornelis Visscher, portraying the minister Gellius de Bouma with technical precision and tonal depth.

This engraving by Cornelis Visscher depicts Gellius de Bouma, a minister from Zutphen, at the age of seventy-seven. Visscher, a master of the burin, demonstrates his technical control through the varied textures of the subject's attire and the subtle modelling of the face. The minister is shown seated at a desk, his hand resting upon a cloth, while a stack of papers and an inkwell occupy the foreground. The composition is balanced, with the figure occupying the majority of the frame, creating a sense of presence and gravity.

The print is notable for its use of cross-hatching and stippling to achieve depth and tonal range. Visscher captures the texture of the ruff, the heavy fabric of the cloak, and the weathered skin of the sitter with precision. The inclusion of Latin and Dutch text at the base provides context regarding the subject's long service to the church, a common convention in seventeenth-century portraiture. The work reflects the period's interest in naturalism and the documentation of individual character.

Cornelis Visscher was active during the mid-seventeenth century and is recognised for his skill in reproducing the effects of light and shadow. This particular print is a fine example of his ability to translate the nuances of a painted portrait into the medium of engraving. The attention to detail, from the individual hairs of the beard to the folds in the paper, demonstrates the high level of craftsmanship expected of Dutch printmakers of the era. The work remains a study in the application of line to define form and character, offering a clear view into the aesthetic priorities of the Dutch Golden Age.