Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A tranquil landscape by Flemish Expressionist Gustave de Smet, 'Ghent, a View of the Coupure' depicts a canal scene with muted colours and expressive brushwork, reflecting a sense of calm and introspection.
Gustave de Smet (1877-1943) was a Belgian painter associated with the Flemish Expressionist movement. He is known for his depictions of rural life, landscapes, and portraits, often rendered with a distinctive, simplified style and a muted colour palette. De Smet's work reflects the influence of Cubism and Expressionism, but he developed a personal approach that set him apart from his contemporaries. His paintings often evoke a sense of melancholy and introspection. 'Ghent, a View of the Coupure' presents a tranquil scene of the Coupure canal in Ghent. The composition is divided horizontally, with the buildings and trees on the upper half mirrored in the water below. The colour scheme is restrained, dominated by soft yellows, browns, and greens. The brushwork is loose and expressive, contributing to the overall sense of calm. The reflections in the water are rendered with particular attention to light and shadow, adding depth to the composition. The painting captures a moment of quiet contemplation, inviting the viewer to pause and appreciate the beauty of the everyday.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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When war broke out in 1914, De Smet and his friend Frits Van den Berghe fled Belgium together for the Netherlands. The flight transformed both painters. In the Netherlands, exposure to the Bergen School and to Leo Gestel's work converted De Smet from an Impressionist into an Expressionist. He returned to Belgium in 1922 a different artist. He was born in Ghent in 1877. His father Jules was a decorative painter and photographer. He attended the Royal Academy of Fine Arts in Ghent from 1889 to 1896, then joined the artistic community at Sint-Martens-Latem, where he, Constant Permeke and Van den Berghe became the three founders of Flemish Expressionism, the second Latem School. After the war, he settled in Deurle in 1927. His mature paintings depict farmers, fishermen, popular entertainments and working-class women, composed as geometric, puzzle-like arrangements of coloured shapes that fuse Expressionism with Cubism. Village fairs and circus scenes recur frequently, treated with a formal rigour that lifts them out of genre painting into something more structural. His palette, brighter than Permeke's and more structured than Van den Berghe's, gives his Expressionism a decorative quality that softens without weakening the formal discipline underneath. He died in 1943, at sixty-six.
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