Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Girl with a Fish Bowl - August Macke
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Description
A 1914 oil painting by August Macke, featuring a woman beside a faceted fish bowl rendered in simplified, geometric planes of colour.
August Macke painted Girl with a Fish Bowl in 1914, the final year of his life. The composition features a young woman seated beside a large, faceted vessel. Her form is rendered with simplified, block-like colour fields, a technique that reflects the influence of French Fauvism and the analytical approach of Cubism on the artist. Macke avoids rigid geometry, preferring instead to organise the space through overlapping planes of colour that suggest both the figure and the surrounding environment.
The background consists of abstracted foliage and architectural shapes, which merge with the foreground elements. This lack of traditional perspective creates a flattened, decorative surface. The fish bowl itself is treated as a series of geometric shards, echoing the fragmented nature of the surrounding garden. Macke uses a palette of deep blues, soft pinks, and muted greens to unify the scene. The light appears diffused, lacking a single source, which allows the colours to interact directly with one another across the canvas.
This work belongs to the period when Macke moved away from the darker, more aggressive tones of the Der Blaue Reiter group. His later works, including this piece, demonstrate a shift toward a lighter, more lyrical interpretation of modern life. The subject is calm, detached from the turmoil of the era, and focused on the quiet observation of domestic objects. By reducing the figure and her surroundings to essential shapes, Macke invites the viewer to consider the relationship between the human subject and the constructed environment. The painting remains a clear example of his ability to balance structural rigour with a sensitive, almost poetic, application of paint.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Girl with a Fish Bowl - August Macke
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
August Macke
Macke was twenty-seven when he was killed on the Western Front in September 1914. He had been painting seriously for about six years. In April of that same year he had been in Tunisia with Paul Klee and Louis Moilliet, making watercolours in the souks of Tunis and Kairouan. The gap between the two events, four months, is one of the starkest in modern art.
He grew up in a family of building contractors in Meschede, Westphalia, with no artistic connections. He visited Paris multiple times and absorbed Impressionism, Fauvism and Cubism in rapid succession, but his paintings look like none of those movements. What he took from France was colour: warm, saturated, joyful. His street scenes, market squares and park promenades glow with a light that belongs to someone who finds the world beautiful and wants to record it before it changes.
He met Franz Marc in 1910, and through Marc became involved with Der Blaue Reiter. His temperament was the opposite of Kandinsky's theoretical intensity. Macke painted intuitively, quickly, and with an optimism that made him the most approachable of the German Expressionists.
The Tunisian watercolours are his finest work: small, luminous, almost abstract in their reduction of architecture and figures to planes of colour. Klee wrote afterward that colour had taken possession of him. The same could be said of Macke, who had been working toward that moment for years.
He was drafted immediately when war broke out. His wife Elisabeth received notification of his death six weeks later. Marc, his closest friend, was killed at Verdun in 1916.
He grew up in a family of building contractors in Meschede, Westphalia, with no artistic connections. He visited Paris multiple times and absorbed Impressionism, Fauvism and Cubism in rapid succession, but his paintings look like none of those movements. What he took from France was colour: warm, saturated, joyful. His street scenes, market squares and park promenades glow with a light that belongs to someone who finds the world beautiful and wants to record it before it changes.
He met Franz Marc in 1910, and through Marc became involved with Der Blaue Reiter. His temperament was the opposite of Kandinsky's theoretical intensity. Macke painted intuitively, quickly, and with an optimism that made him the most approachable of the German Expressionists.
The Tunisian watercolours are his finest work: small, luminous, almost abstract in their reduction of architecture and figures to planes of colour. Klee wrote afterward that colour had taken possession of him. The same could be said of Macke, who had been working toward that moment for years.
He was drafted immediately when war broke out. His wife Elisabeth received notification of his death six weeks later. Marc, his closest friend, was killed at Verdun in 1916.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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