Girl with hands raised - Oskar Kokoschka
Archival giclée
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Description
A portrait by Austrian Expressionist Oskar Kokoschka, capturing a subject in a moment of quiet, gestural contemplation.
Oskar Kokoschka, a central figure in the Austrian Expressionist movement, produced this portrait during a period of significant stylistic development. The work displays his characteristic approach to the human subject, where psychological tension is conveyed through fluid brushwork and a specific manipulation of light. The subject is depicted with hands raised, a gesture that introduces a sense of immediacy and vulnerability to the composition.
The artist employs a palette of earthy tones, contrasted against darker, shadowed areas that frame the figure. His application of paint is visible, creating a textured surface that moves away from the smooth finish of academic portraiture. The gaze of the sitter is directed away from the viewer, suggesting an internal focus or a moment of quiet contemplation. This approach to portraiture was typical of Kokoschka, who often sought to capture the inner state of his sitters rather than a mere physical likeness.
In the background, subtle decorative elements appear, providing a contrast to the more gestural treatment of the figure. The signature 'OK' is placed prominently in the upper left, a common feature in his works from this era. This piece reflects the artist's interest in the human condition, a theme that occupied his practice throughout his career. The composition is balanced, yet the loose handling of the paint ensures the image retains a sense of energy. By focusing on the expressive potential of the human form, Kokoschka creates a work that invites observation of both the sitter and the artist's own technical process. This print captures the nuances of the original oil painting, preserving the texture and the specific colour relationships that define the work.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Girl with hands raised - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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