Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Giving Drink to the Thirsty - Sébastien Bourdon
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A detailed 17th-century etching by Sébastien Bourdon depicting the biblical act of providing water to the thirsty.
Sébastien Bourdon, a prominent figure in the French Baroque, produced this etching as part of a series depicting the Seven Acts of Mercy. The composition draws upon biblical themes, specifically the narrative of David and his soldiers, to illustrate the virtue of charity. Bourdon employs a complex arrangement of figures, set against a backdrop of classical architecture and rugged, rocky terrain. The scene is divided into distinct planes: the foreground features a group of weary figures receiving water, while the mid-ground contains dense foliage and architectural elements that frame the central action. In the distance, a procession of soldiers on horseback suggests a broader historical context, adding depth to the narrative.
The etching technique demonstrates Bourdon's command of light and shadow. Cross-hatching and varied line weights define the textures of the stone, the drapery of the garments, and the weathered faces of the subjects. The artist balances the emotional weight of the scene with a structured, classical composition, typical of his work during his time in Paris. The inclusion of Latin inscriptions at the base provides context, identifying the subject matter and the patron. This print offers a clear view into the stylistic preferences of the mid-seventeenth century, where religious subjects were often treated with a blend of naturalism and theatrical staging. The work remains a fine example of the printmaking traditions of the period, reflecting the technical precision required to convey such a dense, multi-layered scene on a copper plate. The interplay between the human figures and the surrounding environment creates a sense of scale, drawing the viewer into the quiet, solemn atmosphere of the act of mercy.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Giving Drink to the Thirsty - Sébastien Bourdon
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Sebastien Bourdon
Bourdon was sent to Paris as an apprentice at the age of seven, enlisted in the army for lack of funds, and was rescued by an officer who financed his trip to Rome in 1634. There he befriended Claude Lorrain and Poussin, before being forced to flee in 1638 to escape the Inquisition because of his Calvinist faith. His life reads as a sequence of escapes.
He was born in Montpellier in 1616, the son of a Protestant glass painter. Back in Paris after the Roman flight, he became a co-founder of the French Royal Academy in 1648, later serving as professor and rector. In 1652, Queen Christina of Sweden appointed him first court painter, though the posting lasted only two years. His versatility was unusual: landscapes, religious compositions, mythological scenes and strikingly lifelike portraits all came from the same hand with equal competence.
His Calvinist background gave him access to Protestant networks across Europe while limiting his access to Catholic commissions in France. He died in Paris in 1671, at fifty-five.
His Calvinist background gave him access to Protestant networks across northern Europe while restricting his ability to secure the most lucrative Catholic commissions in France. The tension between faith and profession forced him into a peripatetic career that, paradoxically, gave his art a cosmopolitan range that more settled painters lacked.
He was born in Montpellier in 1616, the son of a Protestant glass painter. Back in Paris after the Roman flight, he became a co-founder of the French Royal Academy in 1648, later serving as professor and rector. In 1652, Queen Christina of Sweden appointed him first court painter, though the posting lasted only two years. His versatility was unusual: landscapes, religious compositions, mythological scenes and strikingly lifelike portraits all came from the same hand with equal competence.
His Calvinist background gave him access to Protestant networks across Europe while limiting his access to Catholic commissions in France. He died in Paris in 1671, at fifty-five.
His Calvinist background gave him access to Protestant networks across northern Europe while restricting his ability to secure the most lucrative Catholic commissions in France. The tension between faith and profession forced him into a peripatetic career that, paradoxically, gave his art a cosmopolitan range that more settled painters lacked.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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