A satirical etching from Goya's Los Caprichos series, depicting a poignant and cynical encounter between a young woman and her mother.

This print is plate 16 from Los Caprichos, a series of eighty etchings by Francisco Goya. The artist produced this collection to critique the social, religious, and moral failings of late eighteenth-century Spanish society. In this specific composition, Goya depicts a young, well-dressed woman walking with a fan, while an older, hunched woman in a shawl follows closely behind. The title, inscribed at the bottom, reveals the cynical nature of the scene: the younger woman is a prostitute who fails to recognise her own mother, who is also engaged in the trade.

Goya employs aquatint to create atmospheric depth and shadow, which contrasts with the sharp, biting lines of the etching process. The figures are placed against a sparse, darkened background, which directs the viewer's attention to the interaction between the two women. The younger woman appears oblivious and detached, while the older figure is rendered with a sense of weariness and decay.

Los Caprichos remains a significant body of work for its departure from traditional portraiture and religious iconography. Goya used the medium of printmaking to explore human folly, superstition, and hypocrisy. By combining technical mastery with biting social commentary, he created images that function as both aesthetic objects and critical observations. This print exemplifies his ability to capture the darker aspects of urban life with economy and precision. The use of light and shadow serves to isolate the subjects, creating a sense of isolation that permeates the entire series. Collectors of Goya's work value these prints for their technical innovation and their unflinching look at the complexities of the human condition.