Grazing Cow - Gustave de Smet - Poster

Grazing Cow - Gustave de Smet

Sale price$39.00
Product: Fine Art Poster
Size: Small Square (30x30 cm)
Frame: -
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A serene landscape by Flemish Expressionist Gustave de Smet, 'Grazing Cow' depicts a cow in a field with simplified forms and a muted palette, capturing a moment of quiet contemplation in the countryside.

Gustave de Smet (1877-1943) was a Belgian painter associated with the Flemish Expressionist movement. He is known for his simplified, often geometric, depictions of rural life and landscapes. De Smet's work often features a limited colour palette and a focus on the essential forms of his subjects. He spent time in the Netherlands during the First World War, where he developed his mature style. His paintings often convey a sense of quiet contemplation and a connection to the natural world. 'Grazing Cow' exemplifies de Smet's approach. The painting presents a cow in a field, rendered with simplified forms and a muted palette. The composition is divided into distinct planes, with the cow in the foreground, a fence and trees in the middle ground, and a house in the background. The colours are predominantly greens and browns, with touches of white and black. The brushwork is visible, adding a tactile quality to the surface. The overall effect is one of serene simplicity, capturing a moment of everyday life in the countryside.

Crafted for a Lifetime

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    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

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    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

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    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

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What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk

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Gustave de Smet

When war broke out in 1914, De Smet and his friend Frits Van den Berghe fled Belgium together for the Netherlands. The flight transformed both painters. In the Netherlands, exposure to the Bergen School and to Leo Gestel's work converted De Smet from an Impressionist into an Expressionist. He returned to Belgium in 1922 a different artist. He was born in Ghent in 1877. His father Jules was a decorative painter and photographer. He attended the Royal Academy of Fine Arts in Ghent from 1889 to 1896, then joined the artistic community at Sint-Martens-Latem, where he, Constant Permeke and Van den Berghe became the three founders of Flemish Expressionism, the second Latem School. After the war, he settled in Deurle in 1927. His mature paintings depict farmers, fishermen, popular entertainments and working-class women, composed as geometric, puzzle-like arrangements of coloured shapes that fuse Expressionism with Cubism. Village fairs and circus scenes recur frequently, treated with a formal rigour that lifts them out of genre painting into something more structural. His palette, brighter than Permeke's and more structured than Van den Berghe's, gives his Expressionism a decorative quality that softens without weakening the formal discipline underneath. He died in 1943, at sixty-six.